It occurred to me that I’ve not posted any progress reports of late, what with all the tree felling going on but work in the shop has been progressing well. This week, no less than three instruments will get finished, the first of two Venezuelan Cuatro’s, a Cool Hand Tenor and a Cutaway Tenor, all featuring rope binding.
From time to time we get asked about exotic timbers. The most popular timber for making Ukuleles is a wood called Koa. It is one of the Acacia family and is native to the Hawaiian Islands (among other places) where the Uke was invented. The reason it was used was quite simple. It was local and available.
Of course, today, Hawaiian Koa is still available in small quantities, but at a high price. Think in terms of a set of boards for a soprano starting around the £60 mark and going up from there!
However, ‘local and available’ were the criteria for using this timber in the first place, and here in the Garden of England, Continue reading Exotic woods→
The ‘tidy up’ I mentioned in the last post turned out to be a three day job! That is mainly due to a complete re-arrange of the workshop. A bit more space was needed and there was none. None that was usable that is. Moving from the smaller unit a few months ago, things had been put where they fitted without too much thought about the way we would be working and the place had become somewhat cluttered.
The thing that triggered this effort was the purchase of a new Planer – Thicknesser. It is something that is a basic requirement in any form of woodworking shop, but something that funds had precluded until now. Bench models are available, capable of handling widths of 6″ and 8″, but with the need to dimension timber for Continue reading A Change of Luck?→
Although I’m not advocating that anyone should make unnecessary journeys, the Craft Village is still accessible with care. Today was spent having a mass tidy, along with a bit of snow shoveling. Isn’t it weird that cleaning up seems to increase the amount of mayhem, at least to start with. I’m sure with another day, all will sort itself out and room to swing a cat will once more emerge!
It is fortunate that the weather was fair for the Quexmas Event, staged in the Powell-Cotton Museum on Sunday 27th November. That is because the queues of people stretched well into the car park for a good couple of hours after the event opened. Of course, the weather had an effect on how many people ventured out, but we’ll ignore that for the moment.
With the timber already mentioned in earlier posts coming in 4″ thick boards, the 3″ depth of cut on the tabletop bandsaw we were using was of little help. An upgrade was the only option but to get a decent depth of cut on one of these machines can be an expensive exercise. Searching the available options in research brought up one example that seemed almost too good to be true and, bearing in mind you normally get what you pay for, we were wary! But to get a comparable depth of cut (6″) would otherwise cost around twice to two and a half times the asking price.
So we took the plunge and ordered the Fox F28-186 bandsaw from Poolwood in Kent. (We like to keep things as local as possible). 24 hours later it was delivered and it was with a little trepidation that it was unpacked and assembled. The pleasant surprises started with the realisation that the table was a cast iron one, as in this price bracket we expected an alloy one. The supplied leg stand was of decent gauge metal rather than the flimsy efforts seen on some kit. The whole thing went together without hassle, with all holes lining up well and a complete compliment of fixings. The next nice surprise was Continue reading Bigger kit….→
Quex Instruments maker, purveyor of local timber artifacts