My name is Wally, and I’m Walnut. That’s the wood I’m talking about, not the seed I was grown from. I was born back in 1785, or maybe 1783. It depends on when you count a tree being born, when the seed is planted in a growing pot, or when the young sapling is planted out in it’s permanent location. I was put in quite a nice place, in front of a big house along with a few of my brothers and some other relatives. I remember that when we were young we were quite well looked after by a man in baggy trousers and a big flat cap. It took a few years, but it wasn’t long Continue reading My Name is Wally..
We’ve had a busy weekend at the Craft Village, preparing for and running our first Pure Craft Market.
The idea was to promote not just the Craft Village, but also Pure Crafts rather than the ‘gift’ fairs that have spread across the County, and probably the Country!
Everything on display (and for sale) has been hand crafted by local crafters, not just those resident in the village, but invited others also. It turned out to be quite a successful day!
A question I’ve been asked a number of times recently is whether I buy in or make the ‘rope’ binding that adorns some of the instruments that we build. Well, buying in would almost certainly violate the concept of building instruments with locally sourced timber. Therefore the answer is that we make our own. It appears, however, that the majority of Luthiers Continue reading Shop made.
In the Craft Village, Crafters plan a monthly Pure Craft Fair, which will probably be held on the first Saturday of each month, commencing in September. Pure Craft means that there will be no stalls with bought-in tat from afar. The majority of Craft Fairs seem to be inundated with these type of stands, which have nothing at all to do with the word or concept of Craft!
On the bench in our Craft Workshop this week has been Andy’s Concert Uke, with Walnut body, Maple neck and cedar soundboard and he is saving a few shillings by collecting it unfinished, ready to apply the shiny stuff himself. Alongside is another concert neck, this time for Ian’s Concert, which is similar to Andy’s but with a flat headstock to take geared peg tuners. Ian has come up with his own design for a soundhole, which should be interesting to execute.
There is also the body for an experimental Q-Bass Ukulele, a project I’ve been thinking about for a while now. I might also try an eight string Tenor, perhaps in all European Maple, just for the fun of it. In the meantime, going to chase up some Yew that I’ve been having cut up for me.
Again, it’s a while since I posted any progress reports, so to whet your appetite for next weekends Craft Fair, I thought I’d show a couple of instruments that are underway.
The Cuatro, which is No 3, along with the tenor Uke that might just remind you it is Olympic year, should both be strung up and finished by the weekend, while the Concert body and banjo bits are work in progress, both for customers.
The banjo is, in fact a prototype and will be shortly followed by an open-back banjo Uke.
The Craft Fair, which will be held over the weekend of 16th and 17th June attracts a good number of stands and, for the weekend only, it will cost you £1 to enter the village, through which you get to all the stalls. The money though, goes to a good cause, that of the Kent Air Ambulance, which runs purely on donations, so come along and support the event.
Don’t forget though, that the Village itself is open all year round and is free to visit, it’s just this weekend that a charge is levied.
It occurred to me that I’ve not posted any progress reports of late, what with all the tree felling going on but work in the shop has been progressing well. This week, no less than three instruments will get finished, the first of two Venezuelan Cuatro’s, a Cool Hand Tenor and a Cutaway Tenor, all featuring rope binding.
The Cutaway Tenor is an all Walnut body with a Continue reading In the works…
From time to time we get asked about exotic timbers. The most popular timber for making Ukuleles is a wood called Koa. It is one of the Acacia family and is native to the Hawaiian Islands (among other places) where the Uke was invented. The reason it was used was quite simple. It was local and available.
Of course, today, Hawaiian Koa is still available in small quantities, but at a high price. Think in terms of a set of boards for a soprano starting around the £60 mark and going up from there!
However, ‘local and available’ were the criteria for using this timber in the first place, and here in the Garden of England, Continue reading Exotic woods
The ‘tidy up’ I mentioned in the last post turned out to be a three day job! That is mainly due to a complete re-arrange of the workshop. A bit more space was needed and there was none. None that was usable that is. Moving from the smaller unit a few months ago, things had been put where they fitted without too much thought about the way we would be working and the place had become somewhat cluttered.
The thing that triggered this effort was the purchase of a new Planer – Thicknesser. It is something that is a basic requirement in any form of woodworking shop, but something that funds had precluded until now. Bench models are available, capable of handling widths of 6″ and 8″, but with the need to dimension timber for Continue reading A Change of Luck?
Although I’m not advocating that anyone should make unnecessary journeys, the Craft Village is still accessible with care. Today was spent having a mass tidy, along with a bit of snow shoveling. Isn’t it weird that cleaning up seems to increase the amount of mayhem, at least to start with. I’m sure with another day, all will sort itself out and room to swing a cat will once more emerge!