Quex Instruments are made from locally sourced timbers, a good amount of which are grown in the grounds of Quex Park itself. The Mahogany tree is not one that grows in the UK, but ‘sourced’ is a word, and concept, that has a wide meaning. So when some baulks of solid mahogany were stripped out from one of the galleries that is being re-furbished in the Powell-Cotton Museum and became available, it would have been Continue reading Mahogany
2013 has been a bit of a funny year for me. And I don’t mean funny haha, more of a year of vicious twists that, 12 months ago, were totally unimaginable.
At the start of the year all sorts of plans were in place, virtually none of which have come to fruition. Even early in the year things were starting to go wrong and by the end of February the main reason became very apparent. Most of the rest of the year has been spent coping with the fallout from a diagnosis of Cancer. Not very many instruments have been built, and of those that have, some have subsequently been scrapped!
However, now that I’m feeling so much better than the Continue reading A Funny Year
I have to say an enormous Thank You to everybody that has called, messaged and dropped into the new workshop with good wishes now that I have the ‘all clear’ from my recent course of Chemotherapy. The
response has been most heartwarming and both myself and Shirley, my wife, really appreciated all the good will.
The response to our new instrument, the Bass-Baritone Ukulele, has also been Continue reading Many Thanks
Good news! Last week I got the all clear from the hospital after a dire summer of chemotherapy. It will take a little while to get back into the full swing, but I am feeling so much better than I did a few short weeks ago.
So, in celebration, we have moved into a new workshop. The units in the Craft Village at Quex Park are great, but somewhat restrictive in both size and facilities. The new workshop, which is still on the Quex Estate, albeit just outside the Park proper, is around 4 times the size of the old unit and has Continue reading New Workshop
The website has been quiet of late, mainly because the workshop has been busy! Andy’s and Ian’s Concert models have been delivered, along with the completion a couple of project instruments, a Bass Cuatrolele or Q-Bass (whichever you want to call it!) and an 8 string tenor which can be seen on the left in this image. Despite both being 1st build pattern models as far as we are concerned, the results have been particularly pleasing, both in Continue reading Three Tenors
In the Craft Village, Crafters plan a monthly Pure Craft Fair, which will probably be held on the first Saturday of each month, commencing in September. Pure Craft means that there will be no stalls with bought-in tat from afar. The majority of Craft Fairs seem to be inundated with these type of stands, which have nothing at all to do with the word or concept of Craft!
On the bench in our Craft Workshop this week has been Andy’s Concert Uke, with Walnut body, Maple neck and cedar soundboard and he is saving a few shillings by collecting it unfinished, ready to apply the shiny stuff himself. Alongside is another concert neck, this time for Ian’s Concert, which is similar to Andy’s but with a flat headstock to take geared peg tuners. Ian has come up with his own design for a soundhole, which should be interesting to execute.
There is also the body for an experimental Q-Bass Ukulele, a project I’ve been thinking about for a while now. I might also try an eight string Tenor, perhaps in all European Maple, just for the fun of it. In the meantime, going to chase up some Yew that I’ve been having cut up for me.
Happy Christmas everyone.
The Reverend (and sometimes not so reverend) Davey Slater dropped in today for a chat and promptly picked up some of the ukuleles we have prepared for this weekend’s Quexmas Event up in the Big House. Here’s a quick soundbite.
It’s Halloween and tradition has it that carved pumpkins are the order of the day. I have no idea why, I’m sure you could Google it, but is this Concert Uke a Pumpkin or a Pineapple? Built mostly from Walnut grown on Quex Park, the instrument has actually come out of our new Pineapple Mould, but has the walnut neck attached to the ‘wrong’ end! Fingerboard and mouth (I mean bridge) are from a wild cherry cut on the Park a couple of years ago, and it sports Aquila strings strung in gCEA tuning.
We’ve started to convert timber grown at Quex Park into usable lumber. To start off with, it’s ‘just’ a single board, but that board yeilds around three and a half cubic feet of fully provenanced Walnut. If you think back, Uke No1 was a walnut body, and that sounded beautiful so we are quite happy with this timber. To put it into context, the cut timber from this board will produce Continue reading Tonewood from Quex