A question I’ve been asked a number of times recently is whether I buy in or make the ‘rope’ binding that adorns some of the instruments that we build. Well, buying in would almost certainly violate the concept of building instruments with locally sourced timber. Therefore the answer is that we make our own. It appears, however, that the majority of Luthiers Continue reading Shop made.
In the Craft Village, Crafters plan a monthly Pure Craft Fair, which will probably be held on the first Saturday of each month, commencing in September. Pure Craft means that there will be no stalls with bought-in tat from afar. The majority of Craft Fairs seem to be inundated with these type of stands, which have nothing at all to do with the word or concept of Craft!
On the bench in our Craft Workshop this week has been Andy’s Concert Uke, with Walnut body, Maple neck and cedar soundboard and he is saving a few shillings by collecting it unfinished, ready to apply the shiny stuff himself. Alongside is another concert neck, this time for Ian’s Concert, which is similar to Andy’s but with a flat headstock to take geared peg tuners. Ian has come up with his own design for a soundhole, which should be interesting to execute.
There is also the body for an experimental Q-Bass Ukulele, a project I’ve been thinking about for a while now. I might also try an eight string Tenor, perhaps in all European Maple, just for the fun of it. In the meantime, going to chase up some Yew that I’ve been having cut up for me.